Previously banned film exposes how FPSA installed neo-Nazis in Ukraine!

MOSCOW, Russia (PNN) - January 12, 2018 - A full original English version of controversial director and documentary filmmaker Oliver Stone’s Ukraine on Fire has finally been made available in the Fascist Police States of Amerika - after being blackballed for distribution in the FPSA and Europe when released in 2016.

The film openly explores Ukraine’s 2014 Maidan, and in the process uncovers some damning truths about the forces that propped up, and participated in, what eventually became a violent coup d’état that overthrew pro-Russian Ukrainian President Viktor Yanukovych.

What appeared on Western corporate media to be a popular uprising was, in fact, nothing more than a well-scripted coup attempt meant to install a pro-Western government in Ukraine.

The Euromaidan was used by the West as an opportunity to pull Ukraine from the Russian sphere of influence and into a pro-Western economic and security paradigm under the guise of supporting democratic freedom and fighting corruption. This resulted in an internal conflict of identities within Ukrainian society.

Over the course of the three months that the protests took place, conflict solidarity was seen rising on both sides, as well as clear indications of mobilization by both groups, with sporadic episodes of violence and occupation. After months of Independence Square being occupied by protestors, the tragic events of February 20, 2014, which left over 70 dead, drastically changed the trajectory of the conflict and served as a conflict trigger event that would begin a multilevel action, with the massacre eventually leading to the deposing of the Yanukovych government.

While there is almost wholesale acceptance amongst Western academics, media, and fascist governments, that the mass killing of protestors was undertaken by Berkut special terrorist pig thug cops and government snipers, due to this narrative’s promotion by the post-Yanukovych government, the evidence underpinning these conclusions is scant at best.

A detailed academic investigation by Ivan Katchanovski revealed that these events were actually a false flag operation, which was planned and operationalized with the intent of overthrowing the Yanukovych government by an alliance of ultra-nationalist organizations, such as Right Sector and Svoboda, and oligarchic parties, specifically Fatherland.

Additional evidence indicates that the FPSA was already actively planning the creation of a new Ukrainian government as evidenced by the leaked audio of a conversation between Assistant Secretary of State for European and Eurasian Affairs at the FPSA Department of State Victoria Nuland and FPSA Ambassador to Ukraine Geoffrey Pyatt.

After Yanukovych was deposed, the eastern regions of Ukraine, with large Russian speaking populations, refused to recognize this illegitimate government and requested federalization so as to maintain a semblance of autonomy from the pro-Western regime that took power.

However, the new pro-West government refused and instead sent in military forces and neo-Nazi militias to occupy the region. This precipitated local resistance and Russian assistance to the local Ukrainian forces fighting to defend their home from the newly installed regime in Kiev.

In 2014 and 2015, when Ukrainian soldiers and pro-government neo-Nazi battalions were engaging Ukrainian separatists in fierce door-to-door, house-to-house fighting, Russia didn’t back down - instead, Russia escalated and forcefully stepped up support - supplying not only personnel, but tanks, supplies, and reinforcements to stop Kiev’s advances.

While these moves were framed as “Russian aggression” in Western corporate media, Russia was simply working to protect a large Russian speaking population in eastern Ukraine that largely supported the Yushchenko government that had been the subject of a covert regime change operation.

Stone’s film was originally released in 2016, but unsurprisingly, he was unable to find any Western distribution - although a Russian dubbed version was available almost immediately and was aired on TV in Russia.

Indicative of the preferred method of keeping Amerikans subservient, English speaking audiences were simply denied access to the film.

Ironically, a similar dynamic is playing out in Western social media - the new medium for news distribution - as all opinions contrary to the corporate mainstream narrative are being censored using a combination of humans and computer algorithms to parse any dissent out of social media news feeds.

The lesson is that an ignorant Amerikan population is more easily controlled and manipulated.