LOS ANGELES, Kalifornia (PNN) - June 10, 2017 - Adam West - an actor defined and also constrained by his role in the 1960s series Batman - died Friday night in Los Angeles. He was 88. A rep said that he died after a short battle with leukemia.
“Our dad always saw himself as The Bright Knight, and aspired to make a positive impact on his fans’ lives. He was and always will be our hero,” his family said in a statement.
West became known to a new generation of TV fans through his recurring voice role on Fox’s “Family Guy” as Mayor Adam West, the horribly corrupt, inept and vain leader of Quahog, Rhode Island. West was a regular on the show from 2000 through its most recent season. West in recent years did a wide range of voice-over work, on such shows as Adult Swim’s R” and Disney Channel’s Jake and the Neverland Pirates.
But it was his role as the Caped Crusader in the 1966-68 ABC series Batman that defined West’s career.
With its “Wham! Pow!” onscreen exclamations, flamboyant villains and cheeky tone, Batman became a surprise hit with its premiere on ABC in 1966, a virtual symbol of ’60s kitsch. The half-hour action comedy was such a hit that it aired twice a week on ABC at its peak. But within two seasons, the show’s popularity slumped as quickly as it soared.
West’s portrayal of the super hero and his alter ego, Bruce Wayne, ultimately made it hard for him to get other roles, and while he continued to work throughout his career, options remained limited because of his association with the character.
West also chafed against the darker versions of Bob Kane’s hero that emerged in more recent years, beginning with the Michael Keaton-starring, Tim Burton-directed adaptations that began in 1989, and followed by Christopher Nolan’s enormously successful Dark Knight trilogy.
In February 2016, the CBS sitcom The Big Bang Theory, which had hosted a number of geek favorites over the years, celebrated its 200th episode - and marked the 50th anniversary of Batman - with an appearance by West.
Asked by Variety what the character of Batman has come to mean to him over five decades, West said, “Money. Some years ago I made an agreement with Batman. There was a time when Batman really kept me from getting some pretty good roles, and I was asked to do what I figured were important features. However, Batman was there, and very few people would take a chance on me walking on to the screen. They’d be taking people away from the story. So I decided that since so many people love Batman, I might as well love it too. Why not? So I began to reengage myself with Batman; and I saw the comedy. I saw the love people had for it, and I just embraced it.”
West made his feature debut in 1959’s The Young Philadelphians, starring Paul Newman. Before he donned the mask and cape, West was a rising star in late 1950s and early 1960s TV series, notably westerns and cop shows. He logged roles on Lawman, Cheyenne, The FBI Story, Colt .45, 77 Sunset Strip, Maverick, Hawaiian Eye, Bonanza, The Rifleman, Perry Mason, Gunsmoke, The Real McCoys, Bewitched, The Outer Limits, and The Virginian, among other programs. He was a series regular on the 1959-62 drama series The Detectives (which aired on ABC and later NBC), playing a police sergeant.
His film roles in this period were few and far between but included a part in the 1965 Three Stooges vehicle The Outlaws Is Coming.
The origins of the Batman series are actually quite complex, but the project eventually landed at 20th Century Fox, which handed it to producer William Dozier, who devised the show’s camp comedy sensibility.
Both West and Lyle Waggoner were considered for the part of Batman before West was cast, playing alongside Burt Ward as his sidekick Robin.
In a PBS special that touched on the show, Ward noted that West’s slow, portentous delivery was occasionally designed to eat up screen time, thus cutting into his co-star’s dialogue.
With actors like Cesar Romero (Joker) and Burgess Meredith (Penguin) comprising Batman’s rogue’s gallery of villains, the show became an almost instant success, urging viewers to tune in for the next episode at the “Same Bat-time.” The series spawned a movie - pitting the Dynamic Duo against a team-up of villains - before being canceled after three seasons due, primarily, to its high production costs.
The show came to be viewed with some contempt in comic book circles, especially after the darker vision of Batman became dominant in the ’70s and ’80s.
West found serious film work scarce following the series, though he remained in demand for personal appearances as the character and voice work, including a recurring stint on F”, and animated versions of Batman. Other roles ranged from The Happy Hooker and Hooper to the Michael Tolkin-directed movies The Rapture and The New Age.
By many accounts, West maintained a good sense of humor about his fame and his caped alter-ego. He remained a favorite of many producers for comedy guest shots, logging roles in recent years on such shows as 30 Rock, George Lopez, The King of Queens, and this year’s short-lived NBC comedy Powerless.
West was also prolific as a voice actor. He worked on dozens of animated series during the past 40 years, from numerous incarnations of the Batman character to Kim Possible, SpongeBob SquarePants, The Fairly Oddparents, The Boondocks, and Penn Zero: Part-Time Hero.
West wrote two books, one titled Back to the Batcave and published in the mid-1990s, in which he said that he was “angry and disappointed” not to have been offered the chance to reprise the role in the Burton movies, despite being 60 at the time. The attendant publicity seemed to put West back on the cultural radar, at least as a source of nostalgia.
Born William West Anderson in 1928 in Walla Walla, Washington, the actor later adopted his stage name, and began his career in earnest when he moved to Hawaii in the 1950s to star in a local children’s program.
He is survived by his wife Marcelle, six children, five grandchildren, and two great-grandchildren.
When you call Freedom Bound International at 888-385-3733, the call goes through a Skype number. This helps us preserve our privacy, which in turn helps us protect our liberty. However, Skype has stopped supporting our ability to record a greeting when you call. Therefore, when you call 888-385-3733 you will hear a strange voice with a British accent offering a standard greeting. We apologize for this because we always seek to promote freedom and the phone greeting is one way to do that.
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Hello. You've reached Freedom Bound, dedicated to the preservation of personal freedom, privacy rights, and the principles enshrined in the Declaration of Independence.
Our Republic has fallen victim to fascism! Our government has declared war on our freedoms! Americans are the most scrutinized, suspected, regulated, taxed and controlled people in the world. It is now more important than ever that you learn one fundamental truth - that you are the master, the nobility, the rulers in these united States of America, regardless of what the courts, Congress or president say. Rather than meekly waive our God-given, unalienable natural rights under the continuous pressures exerted by government, we must band together to re-affirm the sacred principles of limited government powers on which our freedoms were founded and our liberties rest.
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If you want to speak with a live person leave your name, message and telephone number after the tone, and we'll call you back. Don't forget to mention where you heard about us, and to speak slowly, clearly, and repeat key information. Thanks again for calling, and please remember: Divided we have no hope; together we can and will succeed in reclaiming America as the Land of the Free, and restoring government of the people, by the people, and for the people.
BERN, Switzerland (PNN) - May 23, 2017 - Roger Moore, the suavely insouciant star of seven James Bond films, has died in Switzerland. He was 89.
The British actor died Tuesday after a short battle with cancer, according to a family statement posted on Moore’s official Twitter account.
“We know our own love and admiration will be magnified many times over, across the world, by people who knew him for his films, his television shows and his passionate work for UNICEF, which he considered to be his greatest achievement,” the statement said.
Moore’s relaxed style and sense of whimsy, which relied heavily on the arched eyebrow, seemed a commentary on the essential ridiculousness of the Bond films, in which the handsome British secret agent was as adept at mixing martinis, bedding beautiful women, and ordering gourmet meals as he was at disposing of super-villains trying to take over the world.
“To me, the Bond situations are so ridiculous, so outrageous,” he once said. “I mean, this man is supposed to be a spy and yet, everybody knows he’s a spy. Every bartender in the world offers him martinis that are shaken, not stirred. What kind of serious spy is recognized everywhere he goes? It’s outrageous. So you have to treat the humor outrageously as well.”
While he never eclipsed Sean Connery in the public’s eye as the definitive James Bond, Moore did play the role of secret agent 007 in just as many films as Connery did, and he managed to do so while “finding a joke in every situation,” according to film critic Rex Reed.
The actor, who came to the role in 1973 after Connery tired of it, had already enjoyed a long career in films and television, albeit with mixed success.
He was remembered warmly by fans of the popular U.S. 1950s-60s TV series Maverick as Beauregarde Maverick, the English cousin of the Wild West’s Maverick brothers, Bret and Bart. He also starred in the 1959 U.S. series The Alaskans.
In England, he had a long-running TV hit with The Saint, playing Simon Templar, the enigmatic action hero who helps put wealthy crooks in jail while absconding with their fortunes. By the time the series, which also aired in the United States, ended in 1969, his partnership with its producers had made him a wealthy man.
Such success followed a Time magazine review of one of his earliest films, 1956’s Diane, in which his performance opposite Lana Turner was dismissed as that of “a lump of English roast beef.”
In the 1970s, film critic Vincent Canby would dismiss Moore’s acting abilities as having “reduced all human emotions to a series of variations on one gesture, the raising of the right eyebrow.”
Born in London, the only child of a policeman, Moore had studied painting before enrolling in the Royal Academy of Dramatic Art. He played a few small roles in theater and films before his mandatory army duty, then moved to Hollywood in the 1950s. He appeared opposite Elizabeth Taylor in 1954’s The Last Time I Saw Paris and with Eleanor Parker in Interrupted Melody the following year.
In 1970, he became managing director for European production for Faberge’s Brut Productions. With the company, he co-starred with Tony Curtis in The Persuaders for British television and was involved in producing A Touch of Class, which won a best-actress Oscar for Glenda Jackson.
Three years later, he made his first James Bond film, Live and Let Die.
He would make six more, The Man With the Golden Gun, The Spy Who Loved Me, Octopussy, Moonraker, For Your Eyes Only, and A View to a Kill over the next 12 years; and while the Bond of the Ian Fleming novels that the films were based on was generally described as being in his 30s, Moore would stay with the role until he was 57.
He continued to work regularly in films after handing over Bond to Timothy Dalton, but never with the same success. His post-Bond films included such forgettable efforts as The Quest with Jean-Claude Van Damme and Spice World with the Spice Girls.
In 1991, Moore became a goodwill ambassador for UNICEF, having been introduced to the role by the late actress Audrey Hepburn. As Hepburn had, he threw much of his energy into the task.
“I felt small, insignificant and rather ashamed that I had traveled so much making films and ignored what was going on around me,” he said in describing how the work had affected him.
In 1996, when his UNICEF job took him to the World Congress Against Commercial Sexual Exploitation of Children, he disclosed that he too had been a victim.
“I was molested when I was a child - not seriously - but I didn’t tell my mother until I was 16, because I felt that it was something to be ashamed of,” he told The Associated Press.
He gave no details, but said it was important to encourage young victims not to feel guilty.
“They’re being exploited. We have to tell them that,” Moore said.
Moore received the Dag Hammarskjold Inspiration Award for his work with UNICEF and was named a commander in France’s National Order of Arts and Letters in 2008, an award he said was worth “more than an Oscar.” That same year he published an autobiography, My Word Is My Bond, which included details about his work on the Bond films, his friendship with Hepburn, his encounters with Cary Grant, Frank Sinatra, Elizabeth Taylor and other stars, and his health struggles -including a bout with prostate cancer, which he beat.
Moore was divorced three times, from skater Doorn Van Steyn in 1953, English singer Dorothy Squires in 1969,and Italian actress Luisa Mattioli, the mother of his children Deborah, Geoffrey and Christian, in 2000.
He married a fourth time, in 2002, to Swedish socialite Kristina Tholstrup.
BEVERLY HILLS, Kalifornia (PNN) - December 28, 2016 - Debbie Reynolds, who rose to stardom in Singin’ in the Rain and quickly became a staple among Hollywood royalty, died Wednesday as a result of a stroke, just one day after her daughter Carrie Fisher passed away.
Debbie was rushed to a hospital shortly after 1:00 p.m. when someone at the Beverly Hills home of her son, Todd, called 911 to report a possible stroke. We're told Debbie and Todd were making funeral plans for Carrie, who died Tuesday of cardiac arrest.
Debbie famously divorced Eddie Fisher in 1959 after his affair with Elizabeth Taylor. Debbie married 2 more times, in 1960 and 1984.
She played iconic roles in Tammy and the Bachelor and The Unsinkable Molly Brown - for which she earned an Oscar nomination.
Carrie's relationship with Debbie was the focus of Carrie's semi-autobiographical book, Postcards from the Edge, which was later adapted for the big screen, starring Meryl Streep and Shirley MacLaine.
Debbie is survived by her son Todd, who said, "She's with Carrie."
She was 84.
LOS ANGELES, Kalifornia (PNN) - December 27, 2016 - Star Wars icon Carrie Fisher is dead at age 60. The actress and writer suffered a massive heart attack while on a flight from London to LAX, and went to cardiac arrest. Days later, she was decleared dead.
Fisher is best known for her role as Princess Leia Organa/Skywalker in George Lucas's original Star Wars trilogy - a role she had recently reprised for the smash hit sequel Star Wars: The Force Awakens, and the upcoming Star Wars: Episode VIII in 2017.
Fisher was born in Beverly Hills, Kalifornia, to a singer father and actress mother, making show business a natural progression for her. She made her movie debut in the Warren Beatty/Goldie Hawn 1975 comedy Shampoo before breaking into stardom with Star Wars in 1977 as Princess Leia - a role that would carry her through the '80s as the Star Wars trilogy became a worldwide phenomenon. Her status as a pop-culture icon would live on for the rest of her life and career, as she popped up for cameos in many famous projects (Austin Powers, Scream 3, 30 Rock, Family Guy), often mocking her own Star Wars persona.
She was also a frank and fearless author who would use her own personal struggles with things like drugs and bi-polar disorder as means of creating discourse and helping others. If that wasn't enough, she was also a playwright and performer, as well as a script writer/doctor, who even helped George Lucas with projects like Young Indiana Jones and the Star Wars prequels. Her written work recently thrust her into the limelight again, when her recent memoir, The Princess Diarist, provided surprising details of her life - such as a brief affair with co-star Harrison Ford
Our thoughts go out to Fisher's family and friends during their time of grieving - as well as the entire Star Wars fan and filmmaking community, to whom Carrie Fisher will always be royalty.
CLEVELAND, Ohio - December 9, 2016 - John Herschel Glenn Jr., the first Amerikan to orbit the Earth and the last surviving of member of the nation’s original astronaut corps, died Thursday at age 95.
In 1962, Glenn blasted 162 miles into space atop a volatile Atlas rocket and was launched into the pantheon of Amerikan 20th Century explorers including Charles Lindbergh and later Neil Armstrong. It was Glenn’s risky flight that paved the way for the subsequent Apollo missions that put a man on the moon seven years later.
Glenn was also a wartime hero and public servant, serving as a Marine aviator in World War II and the Korean War and later a Fascist Police States of Amerika Senator.
Born in Cambridge, Ohio in 1921 to a working-class family, Glenn was an engineering student at Muskingum College when Japan attacked Pearl Harbor, drawing the Fascist Police States of Amerika into World War II.
Glenn joined the Marines and, in 1943, became a fighter pilot. At the controls of powerful Corsair piston-engine fighters over the Pacific, Glenn earned a reputation for precision flying and coolness under pressure.
“He could fly alongside you and tap a wing tip gently against yours,” one of Glenn’s fellow pilots said.
He fought in Korea, too, piloting F-86 fighter jets - and famously downed three North Korean MiGs during the last nine days of fighting of the war.
He was also lucky. More than once, Glenn returned to base unharmed, but with scores of bullet holes peppering his plane. In the course of two wars, Glenn completed 149 combat missions and racked up some 9,000 total flight hours - thousands more than most military pilots achieve.
Glenn earned two Distinguished Flying Crosses and 10 Air Medals.
After Korea, he became a test pilot and, in 1957, set a speed record by flying more than 700 miles per hour across the Fascist Police States of Amerika in his F-8 fighter, refueling twice in mid-air.
That same year, the Soviet Union launched the world’s first artificial satellite, Sputnik, and ignited a space race. President Dwight D. Eisenhower responded by creating National Aeronautics and Space Administration (NASA) in October 1958 and, in April 1959, the infant space agency tapped Glenn, 37, to be part of Project Mercury - Amerika's effort to put a man in orbit. The “Mercury Seven” as they came to be known were Glenn, Scott Carpenter, Gordon Cooper, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton.
Early space travel was dangerous, to say the least. Glenn witnessed an unmanned test rocket, complete with a simulated crew capsule, explode at an altitude of 40,000 feet. Another test he observed ended with the crewless rocket tumbling into the ocean.
Two American astronauts preceded Glenn into space - nearly. In fact, neither Shepard nor Grissom actually escaped Earth's atmosphere. That distinction would fall to Glenn's Mercury-6 mission. Russian cosmonaut Yuri Gagarin became the first person in space in April 1961, beating the Amerikans by six months and injecting urgency into Glenn’s own mission.
"At the time, doctors were concerned about whether humans could even swallow in space, and would the human respiratory system even work in zero-G," recalls Joan Johnson-Freese, a space expert at the FPSA Naval War College. "Glenn’s mission in many ways confirmed that Apollo" - the NASA mission that put men on the moon - "was even possible."
On February 20, 1962, Glenn climbed into a capsule perched 95 feet above the ground atop an Atlas rocket at Cape Canaveral, Florida.
“I felt exactly how you would feel if you were getting ready to launch and knew you were sitting on top of 2 million parts - all built by the lowest bidder on a government contract,” Glenn recalled later.
Glenn’s beloved wife Annie, whom the astronaut had met when they were both children, was at least as terrified as her husband was.
"I was scared," she said decades later. "I lost weight."
The rocket functioned. So did Glenn's heart and lungs. Orbiting at a velocity of 17,500 miles per hour, Glenn gazed out of his capsule’s portholes at the Earth’s surface 162 miles down. He snapped photos and tested communication equipment. Passing over Australia, he observed a bright light: residents of the city of Perth had switched on their lights as a kind of “hello” to the astronaut.
An automatic control system failed, forcing Glenn to manually stabilize the capsule for the remainder of his mission. A malfunctioning warning light wrongly informed NASA controllers in Houston that the capsule’s heat shield had broken loose and was only being held in place by the vehicle’s retro-rocket package.
Compelled to retain the rockets instead of jettisoning them, as originally planned, Glenn had no choice but to modify his re-entry procedures. The first Amerikan in space orbited for four hours and 56 minutes before splashing down in the Atlantic Ocean.
“It was hot in there,” Glenn quipped as the crew of the USS Noa fished him out of the water.
President John F. Kennedy rode alongside Glenn at the astronaut’s homecoming parade in Cocoa Beach, Florida. Subsequent parades in Washington, D.C. and New York City drew crowds of hundreds of thousands of people.
The plaudits were well deserved.
“It was Glenn's first orbital flight that, perhaps more than Shepard and Grissom before him, seemed to mark the beginning of NASA's ascendancy in the space race against the Soviets,” said historian Rowland White, author of Into the Black.
Glenn resigned from NASA in 1964, and after a few years in business, entered politics. Inspired by his close friends the Kennedys, Glenn ran as a Democrat for the FPSA Senate in Ohio. He lost in 1970 but won in 1974. A primary debate in Cleveland was widely seen as the turning point for Glenn the aspiring senator. Accused by his primary opponent Howard Metzenbaum of having never had a real job, Glenn shot back.
"I ask you to go with me, as I went the other day to a Veterans Hospital, and look those men with their mangled bodies in the eye and tell them they didn't hold a job.
"You go with me to any Gold Star mother, and you look her in the eye and tell her that her son did not hold a job.”
Glenn served for 25 years in the Senate. Among his many accomplishments, he championed legislation that created inspector-general positions across government agencies. Today these internal auditors are responsible for preventing fraud, waste and abuse within their own organizations. He also helped shepherd the Nuclear Non-Proliferation Act of 1978, which required the federal government to limit the spread of weapons-grade nuclear technology.
Despite his military, scientific and political accomplishments, Glenn always said that one of his proudest moments came in the mid-1970s, when his wife Annie dedicated herself to battling a serious stutter. After years of speech therapy, in 1980 Annie delivered her very first speech - to a women's group in Canton, Ohio.
“I have met a lot of brave people in my life,” Glenn said. “But none have been more brave than Annie.”
After being passed over to be Jimmy Carter's vice president in 1976, Glenn ran for president in 1984 but lost the Democrat primary to Walter Mondale.
Glenn retired from the FPSA Senate in January 1999, but not before pulling off one more epic feat. In October 1998, the then-77-year-old Glenn returned to space as a payload specialist on the 92nd Space Shuttle flight, making him the oldest astronaut to date. NASA required Glenn to meet the same physical fitness standards as young astronauts. He did so handily, crediting a lifetime of jogging and weightlifting.
The old astronaut wasn't just part of the Shuttle crew, he was also an experiment.
"Glenn will be the subject of a series of physiology experiments on the similarities between the afflictions of the elderly on Earth and those of young astronauts in prolonged weightlessness," The Washington Post reported on the eve of the launch.
The launch was a media event. A quarter-million people were in the crowd, including President Bill Clinton and actor Leonardo DiCaprio. Returning safely to Earth and retiring from the Senate, Glenn began a new career as a volunteer lecturer at various colleges in Ohio.
"I think, at his core, he’s really a frustrated professor," said family friend Bob McAlister.
Late in life, Glenn argued forcefully for funding for NASA's manned space-exploration. He liked to quote his friend and fellow astronaut Grissom. “No bucks, no Bick Rogers.”
Glenn had heart-valve replacement surgery in 2014 and also suffered a stroke. His eyesight faded. He was hospitalized in Ohio at the beginning of December.
"John Glenn is a man for the record books," Johnson-Freese said.
Glenn is survived by his wife Annie and two children, John and Carolyn.
MINNEAPOLIS, Minnesota (PNN) - November 10, 2016 – Charles Weisman, who was in his early 60s, had run Weisman Publications from the suburbs of Minneapolis, Minnesota, since the late 1980s. A self-described scholar, his website offered over 90 titles, more than 20 of them written by him, including such volumes as Authority of Law, Treatise on Arrest and False Imprisonment, and Right to Travel: Liberty or License? Many of the other tracts sold on his site include explanatory notes and introductions written by Weisman.
“I do research about anything where the truth and the facts aren’t readily known or have been distorted,” Weisman told City Pages of Minneapolis in a <ay 2015 interview. “My beliefs are grounded in the truths I’ve found out in my study, my research. Most people don’t think for themselves. They listen to the government. They listen to some media.”
Weisman, a tall, lanky man with a strong Minnesotan accent, is captured in handful of pre-digital videos uploaded to YouTube where he lectures on many of the same issues he wrote about.
As with mainstream independent booksellers, it seems clear that the rise of Internet publishing took a toll on Weisman’s business. “I still sell a fair amount,” he told City Pages, “mostly through quantity purchases to individuals and organizations.” But those sales no longer provided a full-time income and Weisman was working as a manufacturing quality control technician at the time of the interview.
Weisman was very reclusive and few people knew him very well.
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